Final Reflections on the Critique of the Aesthetic Self
This five part discussion has been a deeper look at Foucault’s theme of the aesthetic component of the constitution of the moral self. It is now clear that the hermeneutic of the aesthetic is the determinative interpretive concept in Foucault’s ethics: aesthetics goes all the way down. Ethics for Foucault is a sign language of the aesthetic. The return to the subject is a return to the subject as a function of interpretation, as opposed to a subject as a metaphysical or epistemological starting point. The place of freedom as ontology is a basic working assumption within self-constitution or construction. The discussion so far captures the contours, the impact and consequences of dissolving the boundaries between ethics, art and everyday life into an aesthetics of existence, a life as a work of art. The series has also begun to reveal some of the shortcomings and problems with this approach through a critical dialogue with Charles Taylor.
As discovered in this investigation, there is a positive, robust edge to this hermeneutic of self. It is the self taken seriously as a site for creativity, imagination and self-respect and even a site to resist forms of social and political oppression, towards the empowerment of the individual. The self is the frontier of freedom and of the invention of new forms of life and lifestyle (the entrepreneurial self). Foucault is right to encourage the individual to be more circumspect about her moral self and how it has or is being shaped, and to realize that one has a significant part to play in this shaping process.
One’s chosen actions (habituses) does contribute to the shaping of one’s character, which in turn creates a lifestyle, which creates the unity of this eclectic process. One is to some degree the author or the reflective architect and engineer of oneself in Foucault’s ethics. It has been his goal to intensify the awareness of this process, to make it more central to one’s consciousness. He has offered tools as found in the ancient world to inspire imaginative self-creation, a creatio continua. He also holds out promise that a few (not many) will be able to remain in the archives as a fine exemplum, as a work of art to be admired by the masses. Read More…



